I am a voice in the room,
see you in the mix.
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Soularity Sound
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An engineer at the mixing desk in the Soularity Sound mix room, lit in purple, facing a large picture monitor.
Post-production audio · Austin, Texas

Sound for picture, made in Austin.

Primetime EmmyStranger Things, Season 4, 2022. Dialogue editing, Korey Pereira, MPSE.
Golden ReelPrey. Additional dialogue editing, Korey Pereira, MPSE.
Dolby AtmosStereo, surround and immersive mixing for film, TV, advertising and games.
Start a project See the credits
Prologue
A willing suspension of disbelief, built from sound.

The audience should never notice the edit. They should only be immersed in the world we create together.

Hear what we’ve worked on →
About

Led by an Emmy-winning dialogue editor and mixer.

Soularity Sound was founded in 2009 by Korey Pereira, MPSE, an Emmy-winning dialogue editor and re-recording mixer. He is the studio’s creative director and still works on the projects that come through the door.

Korey is Assistant Professor of Practice and Audio Area Head at The University of Texas at Austin, and Vice President of the Motion Picture Sound Editors (MPSE).

He also writes and speaks about how media teaches us to listen.

Korey’s writing, teaching and speaking: koreypereira.com →
Korey Pereira at a mixing console, with his Emmy statuette on the desk beside him.
Korey Pereira, mixing

Where the work happens.

Based in Austin, Texas, with our own Foley stage here. For ADR and voiceover we work through affiliate studios around the world, so sessions can happen near you.

01

Mix room

Dialogue editing, sound design and mixing in stereo, surround and Dolby Atmos.

Austin
02

Foley stage

Custom Foley and effects recorded to your picture.

Austin
03

ADR & voiceover

Sessions in affiliate studios near you, with picture in front of the talent.

Worldwide
04

Remote mixing

Review and approve in real time through SoundWhale or Source Connect.

Anywhere
Two microphones on boom stands in the ADR booth, with a picture monitor visible through the window.
ADR and voiceover. A shotgun and a large-diaphragm condenser, with picture through the window.
Recording stage with moving-blanket walls on PVC frames, microphones on boom stands and tape marks on the floor.
Foley stage, Austin. Padded, movable walls and floor marks for repeatable takes.
The mix desk with control surfaces, screens running restoration software, a Stream Deck, keyboard and trackball.
The mix room. Control surfaces, restoration tools and loudness metering within reach.

Everything from the first edit to the final mix.

Korey Pereira on IMDb →

01 / 05

Sound design & editing

Dialogue editing, effects and sound design for narrative, documentary, commercial, web and video game content.

  • Dialogue editing
  • Effects and sound design
  • Narrative, documentary, commercial, web and video games
Start a project
Control surface and screens showing a 7.1 mix session with dialogue, effects and background groups.
  • 2009Founded in Austin, Texas
  • 1Primetime Emmy Award, Stranger Things
  • 1Golden Reel Award, Prey
  • 4Mediums: film, television, advertising and games

Korey Pereira’s credits.

Selected work across television, film, documentary and games, with his role on each.
Korey Pereira on IMDb →

TelevisionCAM 01

Stranger Things

Dialogue editor, 2022Primetime Emmy Award
TelevisionCAM 02

Law & Order

Dialogue editor, 2022 to present
TelevisionCAM 03

Switch Up

Dialogue editor, 2024
TelevisionCAM 04

My 600-lb Life

Sound editor and re-recording mixer, 2014–2021
FilmCAM 05

Prey

Additional dialogue editor, 2022Golden Reel Award
FilmCAM 06

Hit Man

Dialogue editor, 2023. Dir. Richard Linklater
FilmCAM 07

Apollo 10½

ADR mixer and ADR editor, 2022. Dir. Richard Linklater
FilmCAM 08

Boyhood

Dialogue and Foley editor, 2014. Dir. Richard Linklater
FilmCAM 09

Hypnotic

Dialogue editor, 2023. Dir. Robert Rodriguez
FilmCAM 10

Spy Kids: Armageddon

Dialogue editor, 2023. Dir. Robert Rodriguez
FilmCAM 11

The Toxic Avenger

Dialogue editor, 2023
DocumentaryCAM 12

Canine Soldiers

Sound design and re-recording mixer, 2016
DocumentaryCAM 13

Seadrift

Dialogue editor, 2019
DocumentaryCAM 14

Starving the Beast

Sound editor and re-recording mixer
GamesCAM 15

Exodus (2027)

Foley mixer and re-recording mixer
GamesCAM 16

Medal of Honor: Above and Beyond

Sound designer: The Gallery, 360 Immersive
Hold and move

These are Korey’s personal credits. They are his individual work, not projects credited to Soularity Sound.

Featured credits, by category.

See the complete filmography on IMDb →

Television

  • Stranger ThingsDialogue editor, 2022Primetime Emmy Award
  • Law & OrderDialogue editor, 2022 to present
  • Switch UpDialogue editor, 2024
  • My 600-lb LifeSound editor and re-recording mixer, 2014–2021

Film

  • PreyAdditional dialogue editor, 2022Golden Reel Award
  • Hit ManDialogue editor, 2023. Dir. Richard Linklater
  • Apollo 10½ADR mixer and ADR editor, 2022. Dir. Richard Linklater
  • BoyhoodDialogue and Foley editor, 2014. Dir. Richard Linklater
  • HypnoticDialogue editor, 2023. Dir. Robert Rodriguez
  • Spy Kids: ArmageddonDialogue editor, 2023. Dir. Robert Rodriguez
  • The Toxic AvengerDialogue editor, 2023

Documentary

  • Canine SoldiersSound design and re-recording mixer, 2016
  • SeadriftDialogue editor, 2019
  • Starving the BeastSound editor and re-recording mixer

Games

  • Exodus (2027)Foley mixer and re-recording mixer
  • Medal of Honor: Above and BeyondSound designer: The Gallery, 360 Immersive

How a project flows.

  1. Step 01

    Spot

    We watch the cut with you and map what the sound needs.

  2. Step 02

    Edit

    Dialogue, effects and sound design cut to picture.

  3. Step 03

    Record

    Foley and custom effects, ADR and voiceover recorded wherever the talent is.

  4. Step 04

    Mix

    Stereo, surround or Atmos, in Austin or remote.

  5. Step 05

    Deliver

    Final mixes in the formats your release needs.

Questions

All you need to know.

Can we review the mix remotely?

Yes. We mix remotely through SoundWhale or Source Connect, so you can review and approve in real time from wherever you are.

Do you mix in Dolby Atmos?

Yes. We mix in stereo, surround and Dolby Atmos for film, television, advertising and video games.

Where do ADR and voiceover sessions happen?

Through affiliate studios around the world, so sessions can happen near you. Foley is recorded on our own stage in Austin.

Do you work on video games?

Yes. Korey’s game credits include Medal of Honor: Above and Beyond and Exodus (2027).

Are the credits Soularity Sound’s?

They are Korey Pereira’s personal credits. Soularity Sound is the studio he founded in 2009 and leads.

How do I start a project?

Fill in the form below with the type of project, your delivery format and your target date. We’ll reply by email.

Contact

Tell us about your project.

Send a cut, a script or just a rough idea. We’ll tell you what the sound needs and how we’d approach it.

Looking for Korey’s writing, teaching or speaking? Visit koreypereira.com.

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